Exhibition “Das Wesen der Farben”:
Schattenfarben
in
Rudolf Steiner Haus Berlin curated by ARE/Artistic Research Encounters
For Rudolf Steiner “Shadows and
images were … related to each other.” What is the essence of such
relationship and which truths does it reveal? What is the inner
structure of light and shadow in painting and how does it affect
colour? The exhibition “Das Wesen der Farben”: Schattenfarben
analyses the nature of shadow in painting, its relationship to light
and colour, its role and importance in representation throughout art
history, and, last but not least, its influence on our perception of
the represented image. Another focus is colour: it's origin and its
coming into being in the process itself of painting. The interplay of
light and shadow intensified by carefully chosen colour palette,
abstract colour fields or chromatic gradations of tones have been the
subject of artistic quest in art history for centuries. In the works
of the painters participating in the exhibition light and shadows
reveal subtle emotional states and movements of spirit that would
otherwise remain hidden from the spectator. Plato himself created the
paradigm of the cave where shadows replaced reality. Plinius on the
other hand tells us the story of the origins of painting, according
to which a maiden from Korinth, who wanted to preserve the image of
her lover, painted a silhouette of his shadow on the wall: thus
creating the first painting ever, the imitation. Since then it was
believed that in the mythic past of painting the only painterly
representations were created by means of lines drawn along the
shadows that objects throw in sunlight. The current exhibition is
inspired by Rudolf Steiner's teachings on colour that have had an
immense influence on the artists of his epoch and played a
significant role in giving rise to abstract. The respective lectures
entitled “Das Wesen der Farben” (The Essence of Colour) were
delivered by Steiner Dornach in May 1921.
The following quote from art
historian Prof. Dr. Reinhold J. Fäth's recent lecture on
anthroposophical artists Group AENIGMA (1918 to 1932/1943) would
perfectly summarise the idea that led us to this exhibition and the
artistic practices we would like to bring to our viewers attention in
“Schattenfarben”:
“All of the artists who created
the images we have seen so far were convinced of the reality of a
transcendental world of the spiritual, as described in
theosophical-anthroposophical writings. They were not engaged in art
for art's sake, in formally-aestheticism, in provocation or shrill
kick aimed at inciting attention in exhibitions. With respect to the
social significance of art Rudolf Steiner emphasised the spiritual,
therapeutic and pedagogical aspects of art.”
Dr. Phil. Lily Fürstenow-Khositashvili
Eroffnung: Samstag, 11 Januar, 6 pm.
Ausstellungsdauer:
12 Januar - 9 März, 2014
Termine für Fuhrungen: jeder Sonntag,
15 Uhr
um Anmeldung wird gebeten: 030 9789 38
97
0151 211 83 73 1
Teilnehmende Kunstler:
mintsi&smolin
NatHalie Braun-Barends
Michaela Terčová
Sigrid Braun-Umbach
Stefan Weber
Bettina Sailer
Zu Ausstellung erscheint ein Katalog
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